What’s notIn an attempt to follow the ‘bigger the better’ mantra, Prabhu Dheva goofs it up. Not knowing where to stop, he inflicts us with a barrage of action scenes that go on forever. Wonder, how the writers didn’t find it odd that Sonakshi who comes across as a strong-headed independent girl who fights goons and can protect herself in the first half, suddenly cowers and becomes a helpless lass hiding behind Shahid’s bronzed shoulders. Even if we give logic and reason some rest, such loopholes are too glaring to be ignored. Dialogues sound like lines from a limerick contest. Silent ho ja warna mein violent ho jaunga sounds like a poor substitute for Rowdy R
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